SHOW REVIEWS

Milk Like Sugar at ArtsWest Playhouse

“Jenny Littlefield’s graffiti-adorned mural of a young woman’s stunning face and sound designer Stephon Dorsey’s savvy urban mixtape do the job perfectly.”-Misha Berson, Seattle Times

“Design wise, it’s a strong show with an effective yet simple scenic design by Jenny Littlefield”- Michael Strangeways, Seattle Gay Scene

The Little Dog Laughed at ArtsWest Playhouse

“ Jenny Littlefield’s sexy sleek upscale hotel set has to also portray other locations and it all works beautifully. ” - Michael Strangeways, Seattle Gay Scene

“The action plays out on Jenny Littlefield’s hotel-room set design — handsome and well appointed.” - Dusty Somers, The Seattle Times 

Grand Concourse at Seattle Public Theatre

“The kitchen itself, stained-glass window and over-the-door crucifix looming over gray walls and plastic bulk spice containers, is a comfortingly small container to set these four bumping into one another (hat tip to set design by Jenny Littlefield).” -Gemma Wilson, CityArts

The Call at Seattle Public Theatre

Walking into SPT is always a treat, because of the magic they create with the small, narrow space and creative set design. Whatever happens with the play, the sets here are always standout — and Jenny Littlefield’s design here, evocative of a compact, modern professional home of yuppies in Anywhere, USA, didn’t disappoint. 

FADE at Seattle Public Theatre

Lucia and Abel’s sparring (casual, combative, flirtatious) happens entirely in her office, designed by Jenny Littlefield as an uncomfortable place trying really hard to feel comfortable: Lucia’s family photos on the shelves, dark-olive-green wall paint, an ergonomic-looking mesh-backed office chair, punishingly unflattering fluorescent lights.

Scenic Designer, Jenny Littlefield, delivered a beautiful set that allowed for a variety of movement and action. 

The Lost Girls by Courtney Meaker at Annex Theatre

“The cast is quite strong and the all female design team is also on point with a terrific spooky set design from Jenny Littlefield and equally fun spooky lighting and sound designs from Gwyn Skone and Erin Bednarz respectively.”
- Micheal Strangeways, Seattle Gay Scene

The Addams Family at Coeur d'Alene Summer Theatre

“The macabre family has been with us since the 1940s, when American illustrator Charles Addams first introduced them in cartoons in The New Yorker magazine. Picture black-and-white line drawings with simple crosshatching for shadows and you have the foundation for CST’s innovative set designed by Jenny Littlefield: an ornate stairway in the family’s run-down Central Park mansion, the concrete walls with requisite manacles in the torture chamber.” Carrie Scozzaro - The Inlander

“The Edge of Our Bodies” by Adam Rapp at Washington Ensemble Theatre

“A deceptively simple set (Jenny Littlefield) is peeled back to send Bernie out into the real world.” - Gemma Wilson, CityArts

“As is I think customary in one-person shows, the set (by Jenny Littlefield) is simple and comfortable. A handful of pieces of vintage furniture: something to sit on, something to lean on, a gorgeous old radio. The stage is beautifully wrought to look like that of an upstairs bedroom of an old house in New England, perhaps an attic.” - Blair Peters, Drama in the Hood